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In Board View, go to the menu on the upper left and choose ‘Create Default Card’. You have to be the board owner to do this, so you can’t create or edit default cards on boards that are shared with you. If you want a card that will serve as a template, you can create a default card. Though your browser may or may not have the ability to zoom in or out on an entire page, this slider lets you change the size of the cards only, without affecting any other elements on the page, or anything on other browser pages. Use the slider on the menu, moving to the left to shrink the cards, and right to enlarge them. As you choose a new view with the menu open, the cards will change to the new view.Īnd finally, you can zoom and in out of your board, regardless of the card view you choose. There’s a variety of views you can choose by clicking the card view icon in the upper right of your board. You can also change the information that you see on the card face when you’re looking at your entire board. To remove the card icon, open the card’s menu, then select ‘Remove Icon’. Select an icon and it will show up on the card’s face both when opened or closed. To change colors for a card, hover over the card to get to the menu, then just choose a different color from the color palette by clicking on a color.īelow the color palette, you will also see card icons. Tony Shalhoub (“Marvelous Mrs.Cardsmith has a wide variety of colors available for your cards.Nathan Lane (“Only Murders in the Building”).Watch our lively chats with Henry Winkler (“Barry”) and over 150 more nominees, including… – Original text and gallery published in July 2019. Tour our photo gallery of Jewison’s best movies, including some of the titles listed above, as well as “The Thomas Crown Affair” (1968), “…and Justice for All” (1979), “Agnes of God” (1985) and more.
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On the TV side, he contended in Best TV Movie for “Dinner with Friends.” “In the Heat of the Night” also won the BAFTA’s UN Award, which “The Russians Are Coming!…” also competed for.
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“The Russians Are Coming! The Russians Are Coming!,” “In the Heat of the Night” and “A Soldier’s Story” all brought him DGA bids, and he received the Guild’s Lifetime Achievement Award in 2011. In addition to his Oscar success, Jewison also earned Golden Globe nominations for directing “In the Heat of the Night,” “Fiddler on the Roof” and “The Hurricane” (1999). Though he never won, he did receive the Irving G. Jewison contended five more times at the Oscars: “Fiddler on the Roof” (1971) and “Moonstruck” (1987) brought him Best Picture and Best Director nominations, while “A Soldier’s Story” (1984) earned him a Best Picture bid. The film won five Academy Awards, including Best Picture, and brought the filmmaker his first nomination as Best Director.
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Jewison infused the plot with issues of racial tension and civil rights, creating a contemporary and socially-conscious thriller. He hit the Oscar jackpot the very next year with “In the Heat of the Night” (1967), a mystery about a black detective ( Sidney Poitier) and a white sheriff ( Rod Steiger) investigating a murder in the Deep South. His next film, the darkly comedic “The Russians Are Coming! The Russians Are Coming!” (1966), earned him his first Oscar nomination in Best Picture. His career took a turning point with his first drama, “The Cincinnati Kid” (1965), which also kicked off his collaborations with film editor Hal Ashby, himself a future director. But how many of his titles remain classics? Let’s take a look back at 15 of his greatest films, ranked worst to best.īorn in 1926 in Toronto, Jewison cut his teeth in television before moving into directing with a number of light farces, including the Doris Day vehicles “The Thrill of It All” (1963) and “Send Me No Flowers” (1964), her last collaboration with Rock Hudson. Norman Jewison is the Oscar-nominated filmmaker who has tackled a number of controversial topics and social issues in his work, crafting mainstream entertainments with a political point of view.